Persona Grata ― 2025 ― 00 000

FANTASTIC TWINS

(FR)
Fantastic Twins, le projet actuel de Julienne Dessagne, est une exploration sonore de deux personnages issus d’une même perspective. Productrice, auteure-compositrice et performeuse live acclamée, Dessagne a passé la dernière décennie à sculpter un univers singulier, signant des sorties sur des labels influents tels qu’Optimo Music, accompagnant Bicep en tournée et gagnant la reconnaissance d’icônes de la musique électronique, dont le regretté et légendaire Andrew Weatherall.
L’année 2023 a marqué la sortie de l’album tant attendu de Fantastic Twins, 'Two Is Not a Number', un LP exemplaire et d’une imagination débordante qui exprime avec assurance la vision musicale de Dessagne. Audacieux et résolument original, il a été mis en avant par diverses publications telles que Future Music Magazine, Harper’s Bazaar et Juno Daily. Dans la presse écrite, DJ Mag a désigné 'Two Is Not A Number' comme l’un des meilleurs albums de l’année, tandis qu’Electronic Sound a salué l’enregistrement comme étant « à parts égales euphorique, beau et tragique… stupéfiant et ambitieux ».
'Two Is Not A Number' est le fruit de plusieurs années de performances live et d’expérimentations sur certaines des pistes de danse les plus avant-gardistes au monde, notamment fabric et Robert Johnson, ainsi que des festivals comme Houghton, Convenanza, 4GB et Mira. Dans ces environnements variés, Dessagne a développé une approche hybride, combinant synthétiseurs, samplers, séquenceurs et effets modulaires, lui valant un public dévoué.
Construisant un récit sonore aux marges de la techno, porté par une aura de mystère et une identité qui lui est propre, Fantastic Twins propose des performances live qui propulsent corps et esprits dans une odyssée cosmique. À chaque prestation, son histoire évolue, alternant vagues de tension rave et relâchements extatiques. La voix de Dessagne agit ici comme une ancre organique au sein d’un véritable set live qui prolonge les cultures du Kosmische, de la techno pure et de la psychédélie contemporaine.
Bien qu’immensément investie dans ses propres productions, Dessagne reste profondément connectée à la culture alternative actuelle ainsi qu’aux influences pionnières qui nourrissent son écriture, à l’image de Coil, Cosey Fanni Tutti ou Nina Simone. À travers ses mixes et émissions pour NTS, CRACK, Dublab et Rinse, elle traduit les constellations sonores de son univers musical par des transitions étincelantes. Forte d’un passé scénique depuis son plus jeune âge, Dessagne est également reconnue pour ses compositions de musique contemporaine pour la danse. Son premier album, 'Obakodomo', était la bande-son d’une pièce de danse contemporaine pour enfants, conçue comme une réponse subtile à l’idée selon laquelle la musique pour enfants doit forcément être « enfantine ». Plus récemment, trois morceaux de 'Two Is Not A Number' ont accompagné le défilé Dior SS24, affirmant davantage ses liens avec le monde de la mode, où elle a également collaboré avec Acne Studios et JW Anderson.
Après une décennie de sorties sur des labels tels que Optimo Music, Hippie Dance et Kompakt, l’année 2023 a également vu la naissance de House of Slessor, un label fondé par Dessagne avec l’intention spécifique d’auto-produire sa propre musique. Contrastant avec les mystères élégiaques de 'Two Is Not A Number', le prélude '46cm Hole In Her Cell' a dévoilé un triptyque de morceaux directement issus des sessions live de Fantastic Twins, livrant des hymnes expérimentaux aux accents rave percutants. Comme elle le décrit elle-même : «périlleux, risqué, chargé d’adrénaline. »


(EN)
Fantastic Twins, the ongoing project of Julienne Dessagne, is a sonic exploration of dual characters born from one distinct perspective. A producer, songwriter and acclaimed live performer, Dessagne has spent the last decade sculpting a unique world, releasing on influential labels such as Optimo Music, supporting Bicep on tour and earning the stewardship of electronic music icons including the late, great Andrew Weatherall.
2023 birthed the release of Fantastic Twins long-anticipated album, ‘Two Is Not a Number’, an exemplary and wildly imaginative LP that channelled Dessagne’s musical purview with the utmost confidence. Bold and refreshingly original, it featured prominently in diverse publications including Future Music Magazine, Harper’s Bazaar and Juno Daily. In print, DJ Mag deemed ‘Two Is Not A Number’ as one of their LPs of the year, while Electronic Sound celebrated the recording as “equal parts euphoria, beauty and tragedy... Astonishing and ambitious.” ‘Two Is Not A Number’ follows years of live performances and experimentation in the midst of some of the world’s most open minded dancefloors, including fabric and Robert Johnson, as well as festivals such as Houghton, Convenanza, 4GB and Mira. In these diverse environments, Dessagne’s focus on a hybrid approach, incorporating synthesisers, samplers, sequencers and modular effects
has cultivated a devoted following.
Building a sonic narrative on the fringes of techno, driven by a sense of mystery and character that remains entirely her own, Fantastic Twins live performances launch minds and bodies into space with a story that evolves in each setting, waves of rave tension breaking with blissful release. Here, Dessagne’s own vocals act as an organic anchor amid a truly live set that acts as a continuation of the cultures of Kosmische, pure techno and contemporary psychedelia.
While immersed deeply in her own productions, Dessagne remains intrinsically connected not only to today’s alternative culture, but the pioneering influences on her own songwriting, such as Coil, Cosey Fanni Tutti or Nina Simone. In mixes and radio broadcasts for NTS, CRACK, Dublab and Rinse, she has traced the wider constellations of her musical world in shimmering transitions. With a background in performance since a young age, Dessagne is also known for her scores for contemporary dance. Her first album, ‘Obakodomo’, was the soundtrack for a contemporary dance piece for children, composed as a subtle riposte to the notion that children’s music has to be “childish”. More recently, three tracks from ‘Two Is Not A Number’ soundtracked Dior’s SS24 catwalk, furthering a parallel foundation in fashion that also includes contributions to Acne Studios and JW Anderson.
Following a decade of releases on labels such as Optimo Music, Hippie Dance and Kompakt, 2023 also saw the launch of House of Slessor, an imprint and label founded by Dessagne with the specific intent of self-releasing her own material. Contrasting the elegiac mysteries of ‘Two Is Not A Number’, the preluding ‘46cm Hole In Her Cell’ laid down a trio of tracks cut directly from Fantastic Twins live sessions, delivering bristling experimental bangers with rave intent. In her own words; “perilous, risky, adrenaline-heavy.”

Label

Optimo Music / House Of Slessor

Territory

France

NATIONALITY

FR

(FR)
Fantastic Twins, le projet actuel de Julienne Dessagne, est une exploration sonore de deux personnages issus d’une même perspective. Productrice, auteure-compositrice et performeuse live acclamée, Dessagne a passé la dernière décennie à sculpter un univers singulier, signant des sorties sur des labels influents tels qu’Optimo Music, accompagnant Bicep en tournée et gagnant la reconnaissance d’icônes de la musique électronique, dont le regretté et légendaire Andrew Weatherall.
L’année 2023 a marqué la sortie de l’album tant attendu de Fantastic Twins, 'Two Is Not a Number', un LP exemplaire et d’une imagination débordante qui exprime avec assurance la vision musicale de Dessagne. Audacieux et résolument original, il a été mis en avant par diverses publications telles que Future Music Magazine, Harper’s Bazaar et Juno Daily. Dans la presse écrite, DJ Mag a désigné 'Two Is Not A Number' comme l’un des meilleurs albums de l’année, tandis qu’Electronic Sound a salué l’enregistrement comme étant « à parts égales euphorique, beau et tragique… stupéfiant et ambitieux ».
'Two Is Not A Number' est le fruit de plusieurs années de performances live et d’expérimentations sur certaines des pistes de danse les plus avant-gardistes au monde, notamment fabric et Robert Johnson, ainsi que des festivals comme Houghton, Convenanza, 4GB et Mira. Dans ces environnements variés, Dessagne a développé une approche hybride, combinant synthétiseurs, samplers, séquenceurs et effets modulaires, lui valant un public dévoué.
Construisant un récit sonore aux marges de la techno, porté par une aura de mystère et une identité qui lui est propre, Fantastic Twins propose des performances live qui propulsent corps et esprits dans une odyssée cosmique. À chaque prestation, son histoire évolue, alternant vagues de tension rave et relâchements extatiques. La voix de Dessagne agit ici comme une ancre organique au sein d’un véritable set live qui prolonge les cultures du Kosmische, de la techno pure et de la psychédélie contemporaine.
Bien qu’immensément investie dans ses propres productions, Dessagne reste profondément connectée à la culture alternative actuelle ainsi qu’aux influences pionnières qui nourrissent son écriture, à l’image de Coil, Cosey Fanni Tutti ou Nina Simone. À travers ses mixes et émissions pour NTS, CRACK, Dublab et Rinse, elle traduit les constellations sonores de son univers musical par des transitions étincelantes. Forte d’un passé scénique depuis son plus jeune âge, Dessagne est également reconnue pour ses compositions de musique contemporaine pour la danse. Son premier album, 'Obakodomo', était la bande-son d’une pièce de danse contemporaine pour enfants, conçue comme une réponse subtile à l’idée selon laquelle la musique pour enfants doit forcément être « enfantine ». Plus récemment, trois morceaux de 'Two Is Not A Number' ont accompagné le défilé Dior SS24, affirmant davantage ses liens avec le monde de la mode, où elle a également collaboré avec Acne Studios et JW Anderson.
Après une décennie de sorties sur des labels tels que Optimo Music, Hippie Dance et Kompakt, l’année 2023 a également vu la naissance de House of Slessor, un label fondé par Dessagne avec l’intention spécifique d’auto-produire sa propre musique. Contrastant avec les mystères élégiaques de 'Two Is Not A Number', le prélude '46cm Hole In Her Cell' a dévoilé un triptyque de morceaux directement issus des sessions live de Fantastic Twins, livrant des hymnes expérimentaux aux accents rave percutants. Comme elle le décrit elle-même : «périlleux, risqué, chargé d’adrénaline. »


(EN)
Fantastic Twins, the ongoing project of Julienne Dessagne, is a sonic exploration of dual characters born from one distinct perspective. A producer, songwriter and acclaimed live performer, Dessagne has spent the last decade sculpting a unique world, releasing on influential labels such as Optimo Music, supporting Bicep on tour and earning the stewardship of electronic music icons including the late, great Andrew Weatherall.
2023 birthed the release of Fantastic Twins long-anticipated album, ‘Two Is Not a Number’, an exemplary and wildly imaginative LP that channelled Dessagne’s musical purview with the utmost confidence. Bold and refreshingly original, it featured prominently in diverse publications including Future Music Magazine, Harper’s Bazaar and Juno Daily. In print, DJ Mag deemed ‘Two Is Not A Number’ as one of their LPs of the year, while Electronic Sound celebrated the recording as “equal parts euphoria, beauty and tragedy... Astonishing and ambitious.” ‘Two Is Not A Number’ follows years of live performances and experimentation in the midst of some of the world’s most open minded dancefloors, including fabric and Robert Johnson, as well as festivals such as Houghton, Convenanza, 4GB and Mira. In these diverse environments, Dessagne’s focus on a hybrid approach, incorporating synthesisers, samplers, sequencers and modular effects
has cultivated a devoted following.
Building a sonic narrative on the fringes of techno, driven by a sense of mystery and character that remains entirely her own, Fantastic Twins live performances launch minds and bodies into space with a story that evolves in each setting, waves of rave tension breaking with blissful release. Here, Dessagne’s own vocals act as an organic anchor amid a truly live set that acts as a continuation of the cultures of Kosmische, pure techno and contemporary psychedelia.
While immersed deeply in her own productions, Dessagne remains intrinsically connected not only to today’s alternative culture, but the pioneering influences on her own songwriting, such as Coil, Cosey Fanni Tutti or Nina Simone. In mixes and radio broadcasts for NTS, CRACK, Dublab and Rinse, she has traced the wider constellations of her musical world in shimmering transitions. With a background in performance since a young age, Dessagne is also known for her scores for contemporary dance. Her first album, ‘Obakodomo’, was the soundtrack for a contemporary dance piece for children, composed as a subtle riposte to the notion that children’s music has to be “childish”. More recently, three tracks from ‘Two Is Not A Number’ soundtracked Dior’s SS24 catwalk, furthering a parallel foundation in fashion that also includes contributions to Acne Studios and JW Anderson.
Following a decade of releases on labels such as Optimo Music, Hippie Dance and Kompakt, 2023 also saw the launch of House of Slessor, an imprint and label founded by Dessagne with the specific intent of self-releasing her own material. Contrasting the elegiac mysteries of ‘Two Is Not A Number’, the preluding ‘46cm Hole In Her Cell’ laid down a trio of tracks cut directly from Fantastic Twins live sessions, delivering bristling experimental bangers with rave intent. In her own words; “perilous, risky, adrenaline-heavy.”

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AUDIO

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